Performance: the fault lines of prayer

[ November 25, 2011; 8:00 pm to 9:30 pm. ] Ensemble Konvergence will be performing the faultlines of prayer for a second time, at the CESKÉ MUZEUM HUDBY in Prague.   The concert starts at 8pm on the 25th of November.

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Six Links (23/11)

SMIA’s plan to Develop Scottish Music Industry - This is possibly very exciting but doesn’t it also seem a little bit underthought/underwhelming?  ”Celebrate and promote all musical endeavour in Scotland” is so broad a goal that it seems nearly impossible to see how it could succeed (or fail, might be the important point).  It also isn’t enough [...]

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Links

4 and 2; Links 22/11

Four Links for Today
Ensemble Amorpha took 10 new short silent films out of the gallery and passed them on to 10 composers to write brand new scores to accompany them.  These films will be screened (with live musical performance) on 1 December at 8:45 at the British Film Institute.
Over at New Music Box, David Smooke [...]

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Links

Three studies (2011)

Three studies (2011)
for amplified flute, amplified percussion, prepared piano, and 3 amplified double basses

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Compositions, Small Chamber (2-8)

The River’s Daughter (2011)

The River’s Daughter (2011)
Text by Sasha Dugdale
for Soprano, Baritone, Young Girl, Clarinets, Percussion, Piano, and Cello
Premiered at the Jerwood Opera Writing Course, Aldeburgh July 2011

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Compositions, Small Chamber (2-8)

Skin and Bones (2011)

Skin and Bones (2011)
for Cor Anglais, Eb Clarinet, Percussion and Cello (scordatura)
Written for Ensemble Amorpha, premiered on 7th September 2011 at Non-Classical, Londno.

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Compositions, Small Chamber (2-8)

the faultlines of prayer 1 (2011)

the faultlines of prayer (2011)
for Alto Flute, Bb Clarinet, Guitar, Cello and Doublebass
Written for Ensemble Konvergence, premiered Nov. 2011, Vienna.

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Compositions, Small Chamber (2-8)

Portraits (2011)

Full Score Portraits (2011)
Scheduled for premiere in early 2013.
for orchestra with spot amplification
2*232/4221/2perc*/harp/celesta/str=14.12.10.8.6*
*indicated amplified instruments

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Compositions, Orchestral